People often ask me about my favorite books and favorite authors. And often, I have no answer, which kind of brings the conversation to a shuddering halt. How does one qualify a lifetime of reading into 'favorite?'. But now I think I know how to answer at least the favorite author question. Favorite authors to me, are those who after reading the first time leave me gasping for the second book, the third book, the fourth. They are the ones who I go hunting for in the bookstore. They are not 'one-book' wonders - but they invite me into their world again and again. In that light, I can easily reel off a few 'favorite authors.' Chimamanda Ngozi Adichie, Tolstoy, Enid Blyton, Sidney Sheldon, Arthur Conan Doyle, RK Narayan, Niccolo Ammaniti, Edith Wharton, Agatha Christie, and
Mohsin Hamid. Mohsin who? you might ask. Oh yes, after reading Mohsin Hamid's
The Reluctant Fundamentalist, which awed and moved me, when Birdy hunted down his
Moth Smoke
in some small corner of Landmark bookstore, I felt like I was in for the literary version of a chocolate treat. And so it is.
Moth Smoke was Pakistani-born Hamid's first novel. And what a searing first novel it is!! Hamid uses different narrative voices to describe the plight of Darashikoh Shezad or Daru as he moves almost inexorably like a moth to a flame into a drug-fueled life of despair. None of the voices though can match Daru's tragic, ironic voice. He had me gripped - this young banker fired from his job because he could not suck up to some client, his attraction to Mumtaz Kashmiri, the beautiful wife of his best friend, Aurangazeb, or Ozi for short, and his tragic fall into a chaotic madness that calls itself life. Some other reviewers have called the characters here unlovable. I disagree. If you can't love Daru, you are only shielding yourself from the own black vortex we all possess. If you can't feel for Mumtaz, who calls herself a monster, then you are stopping your own mirror from reflecting back all the little pieces of blackness we hide deep within our hearts. And of course, Ozi - we know that in being named Aurangazeb, he will eventually be the traitor, and yes, he is the most difficult to like here - appearing callous, casual and ruthless - but then again, we use those traits many times don't we? I am sure if I conduct a survey among friends, then I am sure callous, insensitive, and ill-tempered would be the first words they would use to describe me. And oh yeah, Mumtaz, I agree - I call myself a monster too.
Hamid deftly uses Daru to show us a glimpse into contemporary Lahore - a Lahore of high parties, high societies, and the inevitable chaos that accompanies the lives that lead these high society lives.
Affairs. Drugs. Backstabbing. Jealousy. And friendship. Daru and Ozi have a long history - friends from childhood, their fathers were best friends, and that bond passed itself in its genes to Daru and Ozi. Yet Ozi is everything that Daru is not - with a rich father, a US-degree, and a wife - Ozi has made it back to Lahore society. Ozi's rise parallels Daru's fall. And their own friendship spirals out as Daru begins a dangerous affair with Mumtaz, a mother who was forced into motherhood, has a child and feels none of the 'motherly' bliss she was supposed to feel - and well, a Pakistani woman who has the surname Kashmiri (intentional?), loves her joint, loves to smoke, commits adultery, is an undercover journalist, and a struggling mom who would rather be elsewhere - isn't she interesting?
And Daru? Oh! He had me in tears in the end. Sitting at home, with the electricity cut off, he invents a game. Playing badminton with the moths as shuttles. That passage where he describes the game is one of the most poignant. And then, as he slowly turns into a drug junkie - you feel for him. You wonder why he can't just stopping abusing his self with drugs - but you know that a man who lives as intensely as Daru does, betrayals can break him. How can you not feel for him when you read passages like this? After Mumtaz too spurns him, telling him that he needs help:
I wait for her in the driveway but she doesn't come back. Then I go inside and sit down and wipe my face, but no matter how much I wipe, it seems to stay wet.
And Daru is the one who stands accused of the murder of a child. Ah, life. There is something melancholic about this novel - Hamid writes with that strain. But it doesn't drag you down. I cried yes, in the end. But that is the depth of his writing. I will remember Daru for a while. Even Mumtaz. And if a book can do that, it is worth all the crying.
The book was also made into a movie called Daira. Interesting.
Verdict: Riveting and moving.
Rating: 5/5